When last we
spoke to composer Jay Wadley, he'd just finished scoring the
mercurial Charlie Kaufman film I'm Thinking of Ending Things. Four
years and a million projects later, the Charles Ives Award-winning
composer (and co-founder of music production house Found Objects,
with previous guest Trevor Gureckis) has been...
This week, I
talk to legendary TV composer Mike Post about everything from the
Law and Order dun-dun to his original album of musical
suites.
If you've had a TV turned to a network station anytime in the
last forty years, you've heard Mike Post's music. A stalwart in the
TV scoring game, he is the voice of so many...
This week's
guest is RTS winning and BAFTA-nominated composer Vince Pope, a
London-based composer who cut his teeth on scores ranging from
Misfits to episodes of Black Mirror. But his most exciting
collaborations of late have been those with filmmaker Issa Lopez,
starting with her 2017 magical-realist horror film
Tigers...
Grammy- and
two-time Emmy-winning composer Carlos Rafael Rivera has spent the
last decade building moody, complex musical worlds around
complicated characters. His earliest prominent work was with
regular collaborator Scott Frank on films like A Walk Among the
Tombstones, and the Netflix miniseries Godless. But
it was...
This week,
we're catching up with one of the Oscar-shortlisted Best Score
nominees -- Anthony Willis' score to Emerald Fennell's lavish,
mysterious thriller Saltburn. Fennell's second directorial
feature, after Promising Young Woman, is a kind of
Brideshead Revisited by way of Tom Ripley and mid-2000s
party culture: A...
Film and TV critic Clint Worthington (Consequence, RogerEbert.com, The Spool) talks to a new composer every episode about the origins, challenges, and joys of their latest musical scores.